Contract template for music producers
Music disputes usually start after a track does well. The producer remembers a verbal promise of points; the artist remembers paying a flat fee. Or a co-written hook appears on the song with no writing credit. Put splits and credits in writing while everyone still agrees, ideally on a split sheet signed at the session.
The other risk is samples and session players. A release with an uncleared sample can be taken down, and a session musician who never signed anything may later claim rights in their part. The contract should say who clears samples and that everyone who played on the track was paid and agreed to their contribution being used.
Not legal advice. This is a plain-language starting point, not a contract drafted for your situation or your country. For anything large or unusual, have a lawyer where you work read it before you sign.
Clauses specific to music producers
- Fee and royalties. The client pays the production fee set out in the quote. In addition, the producer receives the royalty share and publishing share recorded in the signed split sheet.
- Credit. The producer is credited as stated in the quote on all releases and listings where credits are shown.
- Masters and stems. On full payment the client owns the master recordings for release. Stems and project files are delivered only if listed in the quote.
- Samples. The producer discloses all samples used. The client is responsible for clearing samples before commercial release unless the quote says otherwise.
- Session musicians. Musicians booked by the producer are paid in full and agree that their performances may be used on the released recordings.
- Revisions. Each stage includes the revision rounds in the quote. Further revisions are billed per round. Approval of the final master closes the job.
The clauses every freelance contract needs
- Parties. Who the agreement is between: your legal name or business, the client's legal entity, and the addresses of both.
- Scope of work. What you will deliver, in what form, and what is explicitly not included. Refer to the quote or proposal by number if it lists the details.
- Fees and payment terms. The total fee or rate, the currency, any deposit, when invoices are issued and how many days the client has to pay.
- Late payment. What happens when an invoice is late: interest or a fixed fee if you want one, and your right to pause work until the account is settled.
- Changes and revisions. How many revision rounds are included, what counts as a change of scope, and how extra work is priced and approved.
- Timeline and client delays. Key dates, and that deadlines move when the client is late with feedback, content or approvals.
- Ownership and licence. Who owns the finished work and when (usually on full payment), what the client may use it for, and what you keep, such as your tools, templates and know-how.
- Confidentiality. Both sides keep the other's non-public information private, during the project and after it.
- Cancellation. How either side can end the agreement, the notice required, and payment for work done up to that point.
- Liability. A cap on what either side can claim, often the fees paid under the agreement, and no liability for indirect losses.
- Governing law. Which country's law applies and where disputes are heard. Usually where you are based.
A plain-language sample
Copy it, fill in the brackets, and cut what doesn't apply. Shorter is fine as long as the scope, the money and the rights are clear.
1. Parties
This agreement is between [Your name or business], the music producer ("we"), and [Client legal name], the client ("you"), and starts on [date].
2. The work
We will deliver the work described in quote [number], dated [date]. Anything not listed there is outside this agreement and will be quoted separately before we start on it.
3. Fee and royalties
The client pays the production fee set out in the quote. In addition, the producer receives the royalty share and publishing share recorded in the signed split sheet.
4. Credit
The producer is credited as stated in the quote on all releases and listings where credits are shown.
5. Masters and stems
On full payment the client owns the master recordings for release. Stems and project files are delivered only if listed in the quote.
6. Samples
The producer discloses all samples used. The client is responsible for clearing samples before commercial release unless the quote says otherwise.
7. Session musicians
Musicians booked by the producer are paid in full and agree that their performances may be used on the released recordings.
8. Revisions
Each stage includes the revision rounds in the quote. Further revisions are billed per round. Approval of the final master closes the job.
9. Fees and payment
The fee is [amount and currency]. We invoice [a deposit of X on signing and the balance on delivery / monthly in arrears]. Invoices are due within [14] days. If an invoice is more than [14] days late we may pause work until it is paid.
10. Changes
The quote includes [number] rounds of revisions. Further changes, or changes to work you have already approved, are charged at [rate] once you have agreed to the cost in writing.
11. Delays
Dates in the quote assume you send feedback and material on time. If you are late, the dates move by at least the same amount.
12. Confidentiality
We both keep the other's non-public information confidential, during this project and after it ends.
13. Ending the agreement
Either of us can end this agreement with [14] days' written notice. You pay for the work done up to the end date, and anything already paid for is yours to use under the terms above.
14. Liability
Neither of us is liable for indirect or consequential losses. Our total liability under this agreement is limited to the fees you have paid under it.
15. Law
This agreement is governed by the law of [country], and disputes are heard by the courts of [city or country].
Signatures
Music producer: [name, date]. Client: [name, title, date].
Questions music producers ask
What is a split sheet in music production?
A short document, signed by everyone who wrote or produced the song, recording each person's share of the composition and sometimes the master. Fill it in at the session while memories are fresh, not after the release.
Who owns the master recording, the artist or the producer?
Whoever the contract says. Often the artist or label owns it once the producer is paid, and the producer gets royalties and credit. If you are producing on spec, without a fee, you may want to keep ownership until you are paid.
Do I need a contract with session musicians?
Yes, even a short one. It should confirm they were paid and agree their performance can be used on the release. Without it, the rights in their part are unclear.
Get it signed without printing it
OIO has contract templates built in (service agreement, retainer, IP assignment, NDA) that you edit to fit, sign in the Sign app and send as a PDF. The contract sits next to the project and its invoices. Free plan, no card.
Start freeAlso for music producers: invoice template and quote template. Contract templates for related trades: voice actors, video editors, videographers, game developers. Or browse all contract templates.